Title: The Mystery of Ill Opinions
Author:
mundungus42
Characters/relationships: Sherlock Holmes/John Watson, Mycroft Holmes/Gregory Lestrade, Mycroft Holmes/Irene Adler, Sally Donovan, Mrs. Hudson, Anderson, Mike Stamford, William Shaespeare, Friar Laurence
Rating: Mature
Archive warnings: None apply
Word count: 29,047
Author's summary: Two Elizabethan actors dream of leaving women's roles behind, and Master Sherlock Holmes agrees to help them find them a playwright to write them roles to rival Marlowe's Tamburlaine. But strange things are afoot in the Holmes household, and Sherlock and John must accomplish this feat while discovering who wants to kill Sherlock and why.
I’ve been looking forward to discussing this madcap, suspenseful, tightly plotted, emotionally resonant wonder of a fic almost since Reading221b began... and now, almost two years later, we are finally getting to do it! It’s one of my favorites, and it affords us a lot to talk about, especially (though not exclusively) for Shakespeare fans. I don’t want my enthusiasm to make anyone feel like they can’t complain or criticize, though: if there are things that didn’t work for you, your views are very welcome too. I’ve outlined some topics below, and created discussion threads for each one of them. This list is definitely not exhaustive; if there’s a topic you want to discuss that really doesn’t seem to fit with any of the existing threads, feel free to start your own.
A note from the mods: This discussion is publicly visible. This means that anyone, not just members of the community, will be able to read the discussions. It remains the case that only members of the comm will be able to post to the discussion. We are doing this because we want the folks who are looking for our brand of thoughtful discussion to know that they can find it here!
**further note: tiltedsyllogism is stepping back from mod duties for the duration of this discussion. If you have any questions or other concerns for the mods about this fic discussion, please contact azriona and gentlespirit
at our mod account. Thanks!
In addition to these outlined topics, there's a thread for talking about the Elizabethan setting, and another one for good old squee.
1. crossover charactersThere are several crossover characters here, most notably Shakespeare himself as a saucy rogue who does some sleuthing alongside John, and gets his start in playwriting thanks to Sherlock. The character is essentially an OC, since we know so little about the actual historical Shakespeare (and in fact his plot arc suggests a nod to the theory that someone else actually wrote the plays attributed to him.) How did the character work for you, both as a supporting figure in a
Sherlock story and as a treatment of the playwright whose work so many of us were raised on?
2. Relationships between characters“If you say so, Master Sherlock.”
“Ugh, don't call me that. It makes you sound like a servant. An insolent one, at that.”
“I am a servant,” said John.Like a lot of AUs, this story is populated with familiar characters, but ties them together in a somewhat different social structure. Anderson (or Anders) is an “unimaginative, but steadfast” servant in the Holmes household; it is Mike Stamford, as head steward, who informs John that Sherlock sometimes doesn’t speak for days; Moriarty is the malevolent doctor who attends Sherlock; and they are are in the service of Lord Mycroft Holmes (as is John himself, who doesn’t meet Sherlock until after Lord Holmes has hired him.) This revised set of social and professional connections makes it plausible that these characters would all know each other, in this different setting, but it does change the nature of the relationships, in some cases significantly.
What relationships (or, more precisely, what aspects of each relationship) remains consistent with BBC canon? What is changed? How do the changes help us get situated in the new and different world of this AU?
3. “I will not have the shrew”: Shakespearean AllusionsIn this story, we encounter not only the Bard himself (for which there is another discussion thread) but also quotations, plot elements and characters from several of his plays. Spot a reference? Put it here! You can also use this thread to elaborate on how you see the reference working: how does it fit into the fic? How does it mesh with/inflect the elements of
Sherlock canon that are brought together with it?
4. “We might have shared the bounty”: Allusions to BBC Sherlock canonOne of the things that makes it fun to read an AU that is located in a significantly different place/time* is seeing how important scenes or lines from the BBC canon get translated into the AU setting. Some of these are large-scale, such as Sherlock’s Reichenbach-like plot to feign his own death with poison. Some nods are smaller: my favorite such smaller moment is at the climax of Sherlock’s “funeral,” when he appears in the doorway wrapped in his own shroud, which is of course a reference to The Sheet from aSiB. But what was, in canon, a minor character detail here becomes a highly-charged moment of dramatic reversal that, to me, feels very Shakespearean. We’ll have a thread down below talking about how these two aspects of the story, and other moments borrowed directly from BBC canon, fit into and inflect the world of this story.
*once upon a time, we tried to pilot the category “Alternate Narrative” to describe “AUs where John doesn’t get shot/they meet two years earlier” and distinguish them from the ones that really do posit an alternate universe. Unfortunately, that went over like a lead balloon. But this is a moment when the distinction would have been useful!
I've created comment threads below to organize the discussion by topic. Feel free to create a new thread if you want to talk about something that isn't discussed here!